If you can’t make it to the gallery show by March 16, here’s a complete overview of the images — all an exploration of Los Angeles. Feel free to email me for a catalog with prices.
Giant prints, around 32″ x 40″. Photographed entirely at night (not dusk, not the magic hour, but night), by streetlight, on 4″ x 5″ film. Exposures range from 4 minutes to an hour. An ongoing series.
Prints are 20″ x 20″. Like the trees, photographed entirely by streetlight at night (not sunset or twilight, but night). Exposures range from two to 40 minutes, all on medium-format film. An ongoing series.
Big 40″ x 32″ print. A Metro-rail overpass, photographed on expired Polaroid film with an ancient Polaroid 110A Land Camera. Part of my Night Polaroids series.
Prints are 16″ x 16″ (with a panoramic at 32″ x 16″). Photographed by helicopter on September 29, 2012, during the 405-freeway closure of Carmageddon II. All on medium-format and panoramic film.
Prints are 17″ x 22″. An extremely eco-friendly home in the Hollywood hills, designed by architect Beth Holden and photographed originally for Angeleno Interiors magazine.
About 150 people turned out to see my Urban Archaeology exhibition last Saturday. It was a crazy evening topping off a crazy week, and I didn’t shoot a single photo of the opening. Got some crappy iPhone photos from my awesome brother, who had the presence of mind to think that someone should document this. That’s me, in the grey shirt in the middle, probably talking about the perils of shooting long exposures in residential neighborhoods at night (security guards, police, dog poo, rain).
Get out those credit cards, people.
Note for future shows: Place the cocktail bar inside the gallery rather than out back; it’s where everyone hangs out.
Thanks to the brilliant people at New Theme gallery for making it a success. Complete image catalog in the next blog post.
Posted in behind the scenes, fine art, honors and recognition, landscape, personal
Tagged aerials, exhibition, fine art, gallery, los angeles, New Theme, night cars, night polaroids, night trees
It ain’t baseball, but it is the major leagues. Like probably every photographer out there, I shoot personal work and figure that, someday, when art historians are poring over my images and deciphering their meanings, there will be some kind of gallery retrospective showing a career’s worth of brilliant art produced silently and invisibly for years.
Well, brilliant or not, it’s time to stop being invisible. I’m having a major solo show, Urban Archaeology, at the New Theme gallery next Saturday, February 2.
The show is indeed a compilation of several years of work, all documenting various facets of Los Angeles, including Night Trees (all on 4×5 film) …
Night Cars (all on medium-format film) …
Night City (all on Polaroid) …
And my imagery of the work of New Theme Architecture, which is bringing new forms to Los Angeles architecture:
OK — time to get back to scanning and dust-spotting. It’s glamorous, the life of a photographer.
I’m proud to have this large-format image in the APA’s “Off the Clock” exhibition, curated by the Getty Museum’s former photography curator, Gordon Baldwin.
The aftermath of my niece’s 6th birthday party. Shot on film with a big, bad 4×5 camera. Scanned with a 400-pound drum scanner.
The exhibition is currently hanging at TBWA/Chiat/Day in Los Angeles, then moving to Crispin Porter + Bogusky in Boulder in the fall.
If you want to see the exhibition, you can either get a job at one of those agencies, smooth-talk your way in, or become a courier or something.
Hello! Pardon the absence. Sometimes things get very busy, which is good. But value and convenience is what I have promised, so here’s the latest serving.
I’m calling this my masterwork, and this tiny blog format doesn’t do it justice:
It’s the San Francisco bay, stitched together via three 39-megapixel shots. The finished file weighs in at 1.33 GB and prints out to 72″ x 20″.
The depth is incredible. Look at the detail on this docked ship, just below Alcatraz:
Now that’s what proper technique can get you.
OK, seriously. There is some nice detail in there.
A brand-new personal series on one of my favorite places to camp, shoot and ponder. If you have never walked an empty highway at midnight in the middle of the desert, this is the place to do it. The scenery is positively prehistoric. (Note: there’s a lot less retouching in these than you think.)
Way back during the great Internet bubble of the late ’90s, when people were registering domain names then selling them for wads of cash, I snared this hard-to-type, ironically inconvenient URL. Once it was clear that no one was dying to purchase it, I figured I’d hold on to it anyways. Starting a carpet-cleaning business? Passionate about short-term money loans? You never know when valueandconvenience might come in handy. Well, I’ve had it for about 11 years, and I finally realized — Criminy, what a great place to start a blog.
Thus, welcome to this special place where I’ll be sharing not only what I’ve been up to but what I’ve found share-worthy out in the world. I hope you will comment, debate, complain, subscribe, unsubscribe, read with detachment, rant about kids today, et cetera.
For starters, here’s one of my favorite portraits from 2011.
This is Kevin Beckers, a Westminster High School student who tends the goats on the school’s eight-acre farm. This is the goat at its calmest. You don’t realize it, but he’s got that goat clamped between his legs and in a death-grip at the collar. Unless we were feeding them, the goats stayed as far from my lighting setup as possible.
Thanks for joining me.